Clarissa doesn’t just edit — she rewires time. Armed with an absurdly fast timeline sense and the instincts of a storyteller possessed, she slices through hours of footage like it’s warm butter.

A deans scholar at Chapman University's Dodge College of Film and Media Arts and a mentee under the prestigious BAFTA BYRD program, Clarissa’s journey runs through Universal Studios, late-night export marathons, and stories that needed more than just polish — they needed soul.

She’s the kind of editor who’ll catch continuity errors before the continuity person, rewrite your ending in the cut (and make it better), and still have time to colour-code your bins just because it sparks joy.